dr. Dre and Snoop Dogg lived up to expectations at Super Bowl LVI


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LOS ANGELES — Normally I am against concerts in arenas. Dating back to the time I saw the old Kanye at the United Center on the Glow in the Dark Tour in 2008. A concert is supposed to be an uncomfortably loud party where people drink, smoke, meditate, or whatever to be completely enveloped by the atmosphere and music takes itself to a place outside of their normal reality. As much as that performer, formerly known as Kanye West, managed an entire stage that resembled the surface of the moon, that amazing show at the 22,000-seat United Center is still no better than a Big KRIT and Freddie Gibbs concert I played in. a two-mile club saw east a few years later.

Other than Prince sending me into a trance at the Superdome in 2014 while I was playing “Purple Rain”, nothing has changed my mind that concerts are better in smaller venues. But just as Prince closed out Essence Fest 2014 show, the 10-15 minutes of Dr. Dre led halftime show in Super Bowl LVI an injection of 10-15 minutes of raw energy.

The set list of songs by Dre, Snoop Dogg, Mary J. Blige, Eminem and Kendrick Lamar consisted of ‘The Next Episode’, ‘California Love’, ‘In Da Club’, ‘Alright’, ‘Family Affair’, ‘No More drama” — Mary, a halftime show is a party environment, not a post-breakup playlist — “MAAD City”, “Okay”, “The Real Slim Shady’, ‘Lose Yourself’ and ‘Still DRE’

You may have heard each of these songs at least 7 million times in your life, but that’s what made this show so much fun.

There was only one real surprise on the show, 50 Cent reenacting his “In Da Club” video by hanging from the ceiling. Other than that, it was the lowriders in the field, C-walkers and Dre, Snoop Dogg and the entire lineup that made this crowd of 70,000 people pour their hearts out to their favorite songs – who were mainly here to watch a football game. .

Since the Super Bowl halftime show is actually a concert, it’s all about getting the entire audience involved. The reason intimate club shows are fun is because they are attended by people who are passionate about the artist and those shows are usually cheap enough for any fan to pay. Stadium concerts are for megastars. The people who go are those who can easily afford the tickets, those who have saved up for months for the tickets — or are willing to cut a month’s rent and worry about the consequences later — and those who get free tickets.

And it’s not the same crowd pleaser as a 2,000-person club gig, where it’s like, “Smoking indoors is illegal, but it’s technically a drug, so go for it.” During the Super Bowl, halftime shows are huge productions, but only so often are the performers able to thrill the entire audience. Huey Lewis and the News does it for quite a bit of America, but certainly not for everyone.

Hip-hop, unlike rock and roll, is still a relatively new genre of music. dr. Dre and Snoop Dogg are pioneers of the art form, but Snoop is 50 and Dre will be 57 later this week. The people who were young when NWA and The Eastsidaz terrified middle-aged Americans. Those kids are now middle-aged Americans, and maybe their kids, nieces and nephews are just old enough to remember Dre in his heyday, but even if they aren’t, at least they know he’s friends with Kendrick Lamar.

It’s why this show has been anticipated for so long. It was really aimed at the average American. That’s why the energy level in SoFi Stadium was in the red for most of the performance. Most of us know the words to “Next Episode,” “California Love,” “In Da Club,” and “Lose Yourself.” So even if your goal was to fly to LAX to watch the Bengals, or fight LA ​​traffic on a Sunday afternoon to see the Rams, it was a show that could grab you by the chest and at least give you could give a nod.

It shows that universal appeal sometimes comes in a different looking package, giving a crowd of 70,000 people the feeling of being a club of diehards, even if only for a few minutes

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